Exhibitio design "The Seventies. The long decade of the short century"

Milan, Itália
Ingresso mostra
Photo © Fabrizio Marchesi
Stendardo esterno
Photo © Mario Bellini Archive
Galleria della stampa
Photo © Mario Bellini Archive
Esterno Moro
Photo © Mario Bellini Archive
Esterno Moro
Photo © Mario Bellini Archive
Muro dei conflitti
Photo © Mario Bellini Archive
Sala Luca Beatrice
Photo © Fabrizio Marchesi
Sala Luca Beatrice
Photo © Mario Bellini Archive
Sala Fumetti
Photo © Mario Bellini Archive
Kar-a-Sutra
Photo © Fabrizio Marchesi
Il Viaggio
Photo © Fabrizio Marchesi
Sala Fumetti
Photo © Fabrizio Marchesi
La stanza di Fiorucci
Photo © Fabrizio Marchesi
Dalisi
Photo © Fabrizio Marchesi
Il Bar
Photo © Fabrizio Marchesi
Stanza dei Videogiochi
Photo © Fabrizio Marchesi
La stanza delle letterature
Photo © Fabrizio Marchesi
La Stanza dei Simboli e Loghi
Photo © Fabrizio Marchesi
La Stanza della Musica
Photo © Fabrizio Marchesi
La stanza di Fiorucci
Photo © Franco Mirabelli
La stanza di Fiorucci
Photo © Franco Mirabelli
La stanza di Fiorucci
Photo © Franco Mirabelli
La stanza di Fiorucci
Photo © Franco Mirabelli
Arquitectos
Mario Bellini Architects
Ano
2008
Cliente
Triennale di Milano
Equipa
Mario Bellini with Giovanni Cappelletti
Exhibition fit out
Agorà Allestimenti, Settimo Milanese, (Mi)
Exhibition fit out
GG Spaziotessile, Bareggio (Mi)
Exhibition fit out
Best&Seller, Bollate, (Mi)

The landmark of this exhibition, which is about the 1970s, the “longest decade of a short century”, is the ceiling, transformed to a “cumuliform sky”.
Despite being on a very limited budget, The architect with his long experience in outfitting the spaces of the Triennale manages to connect and make readable the exhibition path with great freedom and freshness.
The white colour of the “cumuliform sky” which represents the space of memory dense with atmosphere, suspended and immaterial, follows the urban path that twists and turns through “streets” and “squares” that connect a series of buildings (the thematic rooms).
Featuring on the inside a rich variety of atmospheres, colours and suggestions, the rooms interpret the “key word” of the exhibition.
And they almost seem like storage boxes full of memories.

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Revista

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