Market Square Ptuj

Ptuj, Slovenia
写真 © Miran Kambič
The architectural placing of chairs into space serves to encourage people to come together and socialise or rest and observe the life in the square centre.
写真 © Miran Kambič
View of the marketplace at dawn.
写真 © Miran Kambič
Urban carpet as a playground for local children.
写真 © Miran Kambič
View of the market's room and the square from the level of St George church. From above the people can see all the elements of the square and can understand the space as an indivisible whole.
写真 © Miran Kambič
Site Plan
図面 © Arhitektura Krušec
Ground Floor Plan
図面 © Arhitektura Krušec
Diagram
図面 © Arhitektura Krušec
Before and after the renovation
写真 © Arhitektura Krušec, Miran Kambič
Before and after the renovation
写真 © Arhitektura Krušec, Miran Kambič
建築家
Arhitektura Krušec
場所
Ptuj, Slovenia
2020

Name of work in English
Market Square Ptuj

Name of work in original language
Tržnica Ptuj

Placement
Shortlisted

Prize year
2022

Location
Ptuj, Slovenia

Year completed
2020 (Year began 2018)

Authors
Tomaz Krusec (1972 Slovenia); Lena Krusec (1976 Slovenia); Vid Kurincic (1980 Slovenia); Zala Likavec (1986 Slovenia); Ana Kucan (1964 Slovenia); Luka Javornik (1980 Slovenia)

Collaborators
Architect: Jurij Nemec, Neža Novak, Janja Starc Structural engineering: Ivan Ramšak Electrical: Elektroprojekt d.o.o. Mechanical: NOM Biro d.o.o. Engineering: Standard d.o.o.
Program
Urban planning
Labels
Public Space

Total area
6000 m2

Usable floor area
765 m2

Client
City Municipality of Ptuj

Client Type
public

Map
LatLng: (46.42075214676208, 15.871951015869152)

The main task of the project was to give back to the city its social space which was lost over the decades. To create a space for the inhabitants of Ptuj to meet and socialise.

The red colour of brick roofs is what gives the identity to the city and by paving the new square with red terrazzo, we wanted to bring it closer to it’s the everyday users.

The history of the open space behind the St George’s Church in Ptuj started in 1913 with the demolition of the so-called Little Barracks, which the city decided to get rid of to gain more space dedicated to events. The design of the open area from the beginning of 19th century focused mainly on the streets surrounding the marketplace, while the whole area was never considered as a city square. Said space lacked definition and remained wedged between two neighbouring streets and consequently did not come to life as the central social space of the city until today.
Red brick roofs have defined the old centre of Ptuj for centuries. When the Little Barracks were demolished, the city lost one of the largest rooftop areas while creating a new open space. By paving the new square with red terrazzo in the shape of the former building, the city was given back what had been taken from it.

The new red terrazzo area clearly defines the dimensions of the square and the relationships between the existing elements of the open public space. The paving was laid down as an urban carpet, following the silhouette of the demolished Little Barracks and the terrain. This way a physical connection was created in the form of a wide staircase that links the two levels of the square and Slomšek Street.
The urban carpet is not only a design element but also an architectural means that defines the relationships in space and provides functional integrity of broad public area.
In addition to the wide staircase, the area offers its visitors urban chairs that have been designed specifically for this space. Their transparent design and the colour create an anonymous urban background, which accentuates the life of the people in the square.
The chairs were placed into the space either on the square edges or in clusters in the shades of trees, encouraging people to come together and socialise. They really came to the fore during the Corona virus pandemic, being one of the few available seating areas in the city. The life of the city took place around them during the lockdown.

The history of architecture is rich with tectonic transfers from one material into another. The textile rhetoric of the paving in the Ptuj market square is reflected in the composition of the dilatations between individual terrazzo areas. The textile-like pattern of the urban carpet is created of squares with accentuated “stitches” and of pavers as if they were a “hem”, determining the static and execution logic of the monolith floor.
During the construction, archaeological excavation found that the medieval streets in this area were paved with pebbles from the nearby rivers and streams. Drava river gravel was therefore used as aggregate for the characteristic structure of the terrazzo that covers the new marketplace.
In addition to the chosen aggregate, the terrazzo structure is specific in its red-brown pigment creating a rather special urban ambiance.
The overall design, including the marketplace building, is purposeful in its monochromatic, bringing out the variety of colours of the produce and products sold at the market. The square becomes a stage for the daily lives of the citizens of Ptuj.

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